10 Best Lens For Full Body Portrait 2021 [Top Picks]

Best Lens For Full Body Portrait

Portrait photography, also called portraiture, captures the image of a person or a little group in which the facial look is effective. The aim is to capture the likeness, personality, and also mood of the subject.

Can a portrait be full-body?

When you click a photograph of a person or shooting full-body portraits, you’re flattening their 3-dimensional body into 2 dimensions.

This phenom also had the accidental influence of changing that person’s dimensions, unless better or worse.

When taking portraiture, the rule of thumb here is to have your subject in full focus range limiter and the background out of focus as you need the emphasis to be on the person somewhat than the location, and you don’t need distracting factors in the frame. You might pick a unique background based on how it might look blurred, but the emphasis will always be on the subject.

Portrait photography is presumably the unique photography niche where you can use essentially any lens yet have excellent outcomes. But the lens you want affects the mood and message of your picture. That is why it is vital that you know which is the best lens for a full-body portrait.

This article will provide you a list of the best multiple lenses for capturing full-body outdoor portraits to help you determine which is perfect for your style. So, please have a broad look!

Types Of Best Lens For Full Body Portraits

Short Telephoto

This is a lens of approximately 70mm-105mm or 50mm-75mm. It is the standard and most popularly used lens for video shooting group portraits.

This lens enables you to choose the frame with the head and shoulders without being too close to the subject. Pick one with a wide aperture, e.g., f2.8, to cope appropriately in all types of light situations. It will assist you in managing the high degree of sharpness required for portrait shooting techniques.

Wide – Angle Lens

This is a lens of approximately 10mm-35mm. It is not a common choice for portraits as it can manage to distortion of the subject. This is because you have to go very close to the subject to stretch the frame. Hence, they are great for group shots and shots expecting lots of background to carry the subject’s mood.

They are additionally beneficial for full-length photographs where the space is limited. You can try with them to be creative and have a play with the distortion to produce some unusual and charming portraits.

Long Telephoto lens

These are lenses of 150mm or more. They are excellent for candid clicks. When you use a long telephoto lens, you will be shooting a great way from your subject. Consequently, the subject will appear nearer to the background allowing you to be more careful in what you involve.

They are also helpful for detail clicks, getting in tight on some perspective of the subject to determine their personality.

For example, this lens will enable you to adjust focus on the human eye and the face, which are excellent for showing emotion while cropping out the rest of the body, which may have proved puzzling in the final click.

Which Type Of Lens For Full-Body Portraits?

As with all kinds of photography, but particularly when you plan to sell your results, purchase the best lens you can afford. You should be spending more on the swapping lenses than on the camera body. An excellent lens will do more to enhance your photography than that trendy, greatest camera body.

Try if you can to purchase the top-of-the-range lens for your camera angle. In Canon lens, this is the “L” range; for Nikon, it is the “gold ring,” although few of their pro lenses do not have it. Usually, when purchasing a lens, look for the characteristics it has and shows a lot of reviews.

There is no “best” lens for portrait photography, as it will always be based on what you are shooting. What the subject is and what they want you as the photographer to convey regarding them and their surroundings.

The single proper way to know is to keep capturing photos and testing until you hit upon what lens you use the most and which one consistently provides you the desired results.

Top 10 Best Lens For Full Body Portraits

Image Product Feature Price
EDITOR CHOICE



Canon EF 50mm f/1.2L Len

  • Lens Type:Standard
  • Weight: 5.60 ounces

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Canon EF 24-70mm f/2.8L II

  • Lens Type:Wide Angle Lens
  • Weight: 1.77 lbs

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Sony 85mm F/1.8

  • Lens Type:Telephoto
  • Weight: 0.51 Pounds

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Nikon AF-S FX NIKKOR 24-70mm f/2.8G ED Zoom Lens

  • Lens Type:Standard
  • Weight: 2.36 lbs

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Sony 24-70mm f/4

  • Lens Type:Standard
  • Weight: 0.94 lbs

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Sigma 24-70mm f/2.8

  • Lens Type:Wide Angle
  • Weight: 2.00 lbs

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Canon EF 85mm f1.2L II

  • Lens Type:Telephoto
  • Weight: 2.15 lbs

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Nikon 85mm f/1.4

  • Lens Type:Telephoto
  • Weight: 1.31 lbs

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Sony FE 85mm f/1.4 GM

  • Lens Type:Standard
  • Weight: 1.81 lbs

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Tamron 24-70mm f/2.8 G2

  • Lens Type:Standard
  • Weight: 1.99 lbs

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1) Canon EF 50mm f/1.2L Len

  • Compatible Camera Mount: Canon EF
  • Lens Type: Standard
  • Dimensions: 1.54 x 2.72 x 2.72 inches
  • Weight: 5.60 ounces

This Canon lens is also amongst the best full-body portraits lens. With its marvelous features, which involve lightweight, very high optical quality, provide superior clarity bokeh, this is the go-to lens for taking full-body portraits.

While outfitted with a super spectra coating, this lens will limit ghosting and flash from captured pictures. In extension, this lens is ideal for shooting outdoors because it holds any severe weather, such as rain.

Joined with the fact that climate circumstances cannot conflict with the lens, it is also compact. This indicates that it can be carried along quickly from one place to another.

The addition of a stepping motor gives for continuous move servo for movies and reduced noise.

Photographers can combine this lens with a sensor camera to cater for both crop-frame and full-frame images. It is one of the best lenses for a full-body portrait that amateur street photographers can take their hands on.

Pros

  • Sharp pictures
  • Perfect in low light shooting
  • Portable lens and lightweight lens
  • Equipped with a super spectra coating

Cons

  • You need adapters to fix this lens in some cameras

2) Canon EF 24-70mm f/2.8L II

  • Compatible Camera Mount: Canon EF
  • Lens Type: Wide Angle Lens
  • Dimensions: 4.45 x 3.5 x 3.5 inches
  • Weight: 1.77 lbs

One of the most versatile lenses available is the 24-70 mm zoom lenses range. That’s why it’s an excellent option for shooters who simply don’t know what to order.

You’ll presumably end up loving the Canon 24-70 mm f/2.8L II lens like so many others previously have. It’s our most prevalent lens together with the 70-200 mm.

For everyday applicants, it is as powerful as it is for a specific job, involving landscapes, actions, portraits, and still life. A high-speed CPU with optimized AF algorithms ensures a fast and silent AF, making it an excellent choice for vloggers and videographers.

This lens is remarkably portable and easy to handle for the coverage it gives. For beginner photographers and experienced shooters alike, it’s an outstanding option.

Pros

  • Weather sealed lens
  • High-speed CPU and AF algorithm function lens
  • Portable lens and has several outstanding functions

Cons

  • Not Compatible with all Canon cameras

3) Sony 85mm F/1.8

  • Compatible Camera Mount: ALC-SH150
  • Lens Type: Telephoto
  • Dimensions: 4.49 x 3.82 x 4.69 inches
  • Weight: 0.81 lbs

The Sony FE 85mm f/1.8 is a very popular-priced lens, and rational thinking has produced this demand.

While it has a mixture of uses, the 85mm best variable focal ranges length screams portraits, and full-body portrait photography is very famous.

Wide apertures such as this lens’s f/1.8 allow the production of a powerful background blur and allow low light action stopping, both features worth getting inspired for.

Everyone enjoys good and very high-quality images, and this lens tests that box. The FE 85 f/1.8’s build quality looks excellent, the design looks fabulous, and the lens functions very well.

Those are all powerful popularity-driving properties, but this lens’s meager price, currently the 5th lowest in Sony’s FE line-up, is a tremendous reputation factor.

If you are on a fixed budget but looking for a great portrait lens, look no further. The Sony FE 85mm f/1.8 Lens has your name on it.

The 85mm best focal length is ideal for portrait photography and is well-adapted for many other subjects. The image sharpness this lens produces is incredible if stopped down quietly.

The AF system performs well in low light, and the size and weight of this lens invite long-term value. The low price seals the deal. The Sony FE 85mm f/1.8 Lens is an excellent value lens.

Pros

  • Mobile and manageable for active shooting
  • Circular 9-blade aperture
  • Dust and moisture resistant
  • Large F1.8 maximum aperture

Cons

  • Not guaranteed to be 100% dust- and moisture-proof

4) Nikon AF-S FX NIKKOR 24-70mm f/2.8G ED Zoom Lens

  • Compatible Camera Mount: Nikon FX
  • Lens Type: Standard
  • Dimensions: 5.24 x 3.27 x 3.27 inches
  • Weight: 2.36 lbs

If you own a Nikon DSLR camera, the Nikon AF-S is the lens you must purchase like many professional portrait photographers.

This is precisely the type of lens that will serve you forever, also coming with you when you surely upgrade your Nikon body to the newest and greatest model.

At 24-70mm, it includes a wide range to enable you to explore with your focal point while covering the “goldilocks” distance that the manufacturing allows is best for full-body photography.

Pros

  • Excellent rendering
  • Sharp from f/2.8
  • Fast autofocus
  • Minimal flare
  • Fast, Versatile, and Exceptional lens

Cons

  • A bit on the heavy side

5) Sony 24-70mm f/4 

  • Compatible Camera Mount: Sony E
  • Lens Type: Standard
  • Dimensions: 3.74 x 2.87 x 2.87 inches
  • Weight: 0.94 lbs

Sony is very much the underdog in the photography community. While the initial thing you believe of when you imagine Sony is not photography, it doesn’t indicate they make an excellent camera.

When adjusting your aperture to defocus the background, the light sources look blurred. This ‘bokeh effect of the blurred background can be improved with circular aperture blades used in this lens.

Conventional aperture blades have smooth sides building unappealing polygonal shaped defocussed points of light. α lenses overwhelm this problem with a unique design that holds the aperture almost flawlessly circular from its wide-open perspective to finish by 2 stops. Smoother, more natural, and minimum focusing distance can be achieved as a result.

And if you’re the owner of one of the Sony DSLRs, then this camera is a fabulous accompaniment and less expensive than its Canon and Nikon cousins.

Pros

  • Lightweight
  • Great color and image stabilization
  • Crisp sharp

Cons

  • Not too big

6) Sigma 24-70mm f/2.8

  • Compatible Camera Mount: Canon EF
  • Lens Type: Wide Angle
  • Dimensions: 3.5 x 4.2 x 4.2 inches
  • Weight: 2.00 lbs

The Sigma 24-70mm “art lens” is an excellent camera for portrait photography for those who like to buck trends.

Sigma has established itself to be similar to Canon and Nikon if they don’t have the same level of brand identification. This lens has all the characteristics and functions photographers need to be thriving on a broad class of shoots.

In enhancing exceptional image quality, this lens allows autofocus, construction that decreases the incursion of dirt and debris, an optical stabilizer (OS) function, and more.

To make this lens as simple to use as feasible by many professional photographers in all areas, it features not only SIGMA’s most advanced manufacturing systems but additionally the company’s latest software. Overall it is the best wide-angle lenses for portrait photography.

Pros

  • Smooth bokeh
  • Minimized flare
  • High-precision, rugged brass bayonet mount
  • Solid and heavy

Cons

  • AF can have a little trouble in lousy lighting situations

7) Canon EF 85mm f1.2L II

  • Compatible Camera Mount: Canon EF
  • Lens Type: Telephoto
  • Dimensions: 3.31 x 3.62 x 3.62 inches
  • Weight: 2.15 lbs

I was in two thoughts about suggesting this lens as the best Canon portrait lens of all time. Naming it the number one all-rounder was a bit of a range, too, because, to be fair, using the Canon 85mm f/1.2 can be maddening at times.

85mm is an enormous variable focal range for portrait photography, giving a favorable view while enabling some space between you and the subject. Being up close and special when capturing portraits is excellent if you want to engage the viewer in an image, but it can be a little claustrophobic for the subject.

Canon is the king of the f/1.2 lens, with Nikon inadequate to track suit with such quick apertures due to the size of the Nikon lens mount. An f/1.2 lens, particularly one with a long focal length, needs a large glass diameter, and Nikon mounts simply can’t carry this.

You just can’t replicate the appearance of a photoshoot with this lens. The lackluster AF shouldn’t be an argument for photographers shooting in controlled conditions such as editorial portrait work on sets and in studios. If you’re a portrait photographer who requires the largest aperture for whatever reason, this is the lens to see.

Pros

  • F1.2 maximum aperture
  • Ring-type UltraSonic Motor (USM)
  • High-speed AF

Cons

  • N/A

8) Nikon 85mm f/1.4

  • Compatible Camera Mount: Nikon FX
  • Lens Type: Telephoto
  • Dimensions: 3.31 x 3.43 x 3.43 inches
  • Weight: 1.31 lbs

It’s difficult to beat an 85mm lens for portrait photography, and the Nikon 85mm f/1.4G is one of the best portrait lenses ever made.

Although a long lens can create an even more favorable effect on a subject, they include a component of disconnect between the subject and the spectator. With an 85mm, you receive enough to reach a flattering compressed look to your subject while maintaining some of the people’s feels of a broader lens.

An 85mm lens also serves to enable you enough room to ‘back up’ in most indoor locations (depending on room size, of course), so it can yet be beneficial for event and wedding photography when space is a problem.

The Nikon 85mm f/1.4 is sharp at f/1.4 and takes even sharper towards f/4, holding extraordinary color accuracy, contrast, and absence of any chromatic aberrations.

It’s a heavy lens, but this is anticipated with the premium build quality and suitable glass to let in lots of light. It’s also far smaller than the Canon 85mm f/1.2, an absolute beast of a lens, and is famous for beauty photography or anything that includes making faces look gorgeous!

If you’re an expert or amateur photographer who uses Nikon and wants the perfect top results in a bokeh-producing portrait lens, look no additional than the 85mm f/1.4G.

Pros

  • Nano Crystal Coat
  • Silent Wave Motor
  • Precision Glass Molding
  • Fast focus

Cons

  • Heavy lens

9) Sony FE 85mm f/1.4 GM

  • Compatible Camera Mount: Sony E
  • Lens Type: Standard
  • Dimensions: 8.3 x 5 x 5.5 inches
  • Weight: 1.81 lbs

Sony gives three primary 85mm prime lenses for its FE (full-frame) and E (APS-C) mount mirrorless cameras. It’s a hard personal preference choice supporting just one of the best prime lenses as the best Sony portrait lens, but we’ve finished up on this one – the Sony FE 85mm f/1.4 GM.

For portrait photography, 85mm truly is hard to hit. It gives sufficient working distance from your subject to provide them some room (or enable you to remain hidden if candid photography is more your style). It builds a flattering, compressed look to your subject’s characteristics without making the final image seem too ‘detached.’

As we discussed earlier, a longer lens will typically include a ‘spying’ feeling when the ultimate image is seen, making your spectator feel more separated from the subject than they would be if you used something broader.

Whether this is a problem to you or not is up to you to choose, but in usual, the more you can make the spectator feel when viewing your image, the better. This is particularly the case with a portrait photo.

Autofocus is fast and silent, and an extra Focus Lock button on the barrel is a gentle touch – much more convenient in my view than an on-camera button. It can be reprogrammed to a custom button based on your Sony camera model.

Hence, if you’re a portrait photographer, 85mm will be your bread and butter, so the Sony 85mm f/1.4 should be an outstanding investment.

Pros

  • Dust and moisture resistance for robust reliability
  • ED and Super ED glass reduces flare and ghosting
  • Nano AR Coating
  • 11-blade circular aperture contributes to gorgeous bokeh
  • Constant F1.4 max aperture

Cons

  • N/A

10) Tamron 24-70mm f/2.8 G2

  • Compatible Camera Mount: Canon EF
  • Lens Type: Standard
  • Dimensions: 4.4 x 3.5 x 3.5 inches
  • Weight: 1.99 lbs

Tamron lenses, notably their G2 series, are excellent and cost approximately half of their Nikon and Canon equivalents.

24-70mm is a fabulous range for full-body portraits. You can zoom in to 70mm if you have the room and make that “compression” look that works excellent for portraits. But the zoom range does provide you flexibility if you are stuck in a smaller place.

The Tamron makes the nod the best here because it carries a ton of quality into a comparatively affordable package. Tamron is a great value lens.

Also, at that lower price point, it is very competitive with its Nikon and Canon opponents in sharpness, contrast, and overall image quality.

Pros

  • Sophisticated design
  • Superb performance and ultra-high image quality
  • Superior anti-reflection properties
  • Moisture-Resistant

Cons

  • N/A

Buying Guide For Choosing The Best Lens For Full Body Portraits

Bokeh Effect

Do you know how sometimes the subject is centered on portrait photography, and the background has a nice blur? It’s pronounced as bokeh that blur.

The larger the opening (and hence the smaller the number off-stops), the more bokeh you notice. Look for a lens that can shoot at a wider aperture like f/2.8, f/1.8, or even f/1.2 if that blur is essential to you.

A huger aperture will give your images a shallower field depth and allow the better output of low light shooting.

Focal Length

The focal length is a significant thing to examine before buying any of the best lenses for full-body portraits. The most used fixed focal lengths, which are also highly suggested, have from 35 mm to 200 mm.

Choosing an ideal focal length in any lens depends on the room you want to use to take your subjects and the number of people you need to capture.

Wide Aperture

A lens with a wide maximum aperture is usually preferred for portrait photography. Wide apertures allow in more light, enabling you to shoot in lower light circumstances without having to raise your ISO or increase the exposure in post-production software.

If you understand how aperture works, you will acknowledge that a wide aperture (that implies a lower number) also makes it simpler to blur the background when clicking a portrait.

Blurring the background can help separate the subject from the background and usually form an uncomplicated background and, in turn, a more aesthetically charming picture. There are limitations to this, of course, but you can always set the aperture to a smaller size for those.

Having a wide maximum aperture provides you with more opportunities when shooting, and options are always great.

Fixed or Zoom

For most, the most suitable would be a zoom lens. Then you notice different focal lengths in the similar lens and hence let you get away with some lenses to satisfy your requirements.

Zoom lenses have two focal lengths defined, for example, 18-55 mm, which explains how much zoom range the lens has. Suppose you need this interpreted into compact camera angle language. In that case, you can simply divide the most significant number by the smallest, which in the 18-55 mm case provides a zoom of approximately 3x.

A fixed lens, on the other side, has some benefits. They are shorter and lighter and usually have better brightness than zoom lenses.

It is additionally simpler to correct for different lens flaws on a fixed lens than a zoom. Therefore, enhancing image quality on a fixed lens is more possible than a zoom (although this will alter slightly based on cost and producer).

Some examine it more artistically right to use a fixed lens, and that it is a bit like sticking to use the zoom, but indeed talking, and we do not have to bother about it.

Lens Size of Your Camera

When choosing a lens for portrait photography, an important thing to remember is that the body you are shooting on will influence your lens’s effective focal length.

In other terms, a crop sensor camera will have a similar lens representing longer than a full-frame camera. For instance, you will be provided an adequate focal length of approximately 75 mm by a 50 mm lens on a crop sensor. If you choose how long you need your lens to be, keep this in mind.

How Many People Will Be in the Photo?

If you intend to shoot larger groups of people, you will presumably need a broader lens that can capture more people in a frame, such as a 35mm. Hence, it is necessary to remember that wider lenses will create more distortion, particularly when you get wider than 35mm.

Don’t use a super-wide lens if you don’t need the people on the external edge of your picture to look longer/more stretched than those near the middle. Remember, if you’re filming outside or in large areas, you can always simply move back to involve more people in the frame.

Sensor Size

An essential thing to remember when choosing a lens for portrait photography is that the body you will be shooting on will influence the efficient focal length of your lens. In other terms, the same lens will run longer on a crop sensor camera than on a full-frame one. For instance, a 50mm lens on a crop sensor camera will provide you an efficient focal length of approximately 75mm.

Available Space Where You’re Shooting

If you are shooting outdoors in wide spaces, you have several choices for lenses, but if your sessions are getting a place in more limited circumstances, you will need something wider. A 70-200mm zoom or 85mm prime lens will be excellent if you have a lot of room to run, but inside someone’s house, you will seemingly need a shorter focal length. 50mm is an excellent standard length for most circumstances.

Tips To Improve Portrait Photography For Beginners

Capturing portraits excellent portraits is no simple task but any stretch of the mind. Hence, making very few changes to your shooting modes will produce urgent improvements to the portraits you capture.

There are some very fundamental things that most people overlook when they shoot, and these very primary things make all the variation.

First, let me state this: the variation between a person’s picture and a portrait in the background. The central subject of each portrait is the face and must be the part given the most recognition. I will describe what I expect in more detail, so read on.

Use Portrait Mode on your Camera

OK, I understand I am not explicitly finding a new planet here, but if you are using a point-and-shoot camera, or are simply beginning out with a digital SLR camera, preferably of using the Full Auto background, switch over to Portrait mode. Why?

Because the camera will modify settings, essentially fixed the lens to the widest aperture size, which is best when shooting portraits because the background blur is developed. We always need our subject to stand out from the background, not mix in with it.

Do not wait to change your flash on, also in the daytime in Portrait mode. Why? It will load in shadows and build while relaxing details in your subject’s face. Modern cameras are brilliant, yet the smallest point-and-shoots. Your camera will calculate simply enough flash for accurate exposure.

Get Closer!

While this may seem silly, this is one of the most significant aspects of taking a good portrait. There are many reasons for getting closer to your subject, no matter who you are shooting. Recognize, because the face is of central importance in your photograph, it will keep most of the picture frame.

Making close will make you fill the frame, also if you are shooting with a bit of point-and-shoot camera that does not give a telephoto capable zoom. More essentially, when you get in close, alternatively of using a zoom, you reduce the Depth-of-Field, which in simple words is the length within your focus point and some detail in the distance that is in focus.

This indicates that you take the face in sharp focus when you get in close, but the closer you see, the shallower the Depth-of-Field (DOF) becomes.

This in impact blurs out the background, and because our eyes constantly look for characteristics that are in focus, the facial features instantly stand out because the background is no long-drawn distracting.

Choose a Better Background

This is a no-brainer, but how frequently do we see otherwise excellent portraits shot upon entertaining and, at times, vulgar backgrounds.

Do not make that blunder. While you can blur the background quite a bit by going close to your subject, uncluttered background and not seeming distracting will give a better portrait. Look for reliable color backgrounds.

Examine a background that is equivalent to your subject’s skin tone, or if you are shooting a full-body click and a body shoot, watch for colors that complement your subject’s clothes. Watch for texture. Textures enhance the picture overall and join a feeling of dimensionality.

Try to maintain your subject far sufficient from the background to drive it adequately out of focus. Use the immediate preview on your camera to detect whether the background is too distracting.

If it is in sharp focus, shift your subject farther apart from it, if potential, or get closer yourself. Watch for backgrounds that are not too dark or bright. Too dark is constantly better than too bright, so opt for dark-haired backgrounds if your options are slim.

In Conclusion

With these straightforward tips, you will no doubt enhance your portraits quite a bit. It will get you no time to get used to. Identify, there are always more things that you can fix, so do not end here. These are straightforward solutions to assist you in discussing some fundamental problems. In period, this will become second nature, and you will be watching for more high-level procedures.

Wrap It Up

With so many great lenses for full-body portrait photographers on the market in 2021, the decision can be a little unusual.

When trying to settle upon the best lens for you, I first try and know which is your favored focal length.

The longer the focal length, the larger the degree of compression and subject division you’re capable of achieving. Hence, you really may not have sufficient space to shoot with a 200mm lens.

It’s also necessary to consider the sense of ‘detachment that arises with using a long lens. Shooting across 85mm points makes the spectator feel detached from the time rather than included in it. This may or may not be relevant to you and your way of photography.

I’ve just involved lenses longer than 50mm in this guide to the best portrait lenses. While lenses wider than 50mm can yet be used for excellent portrait photography, it’s traditionally not their usage, so I’ve missed them here for simplicity.

Other factors to take into thought involve price (obviously), maximum aperture (for low light), size and weight (for all-day shooting), and AF skills.

If you’re shooting static subjects in controlled circumstances, maximum aperture and AF may not be necessary to you. If you use a tripod to shoot portraits, size and weight may be inappropriate too.

I hope you find this post helpful and found the best lens for full-body portrait photography

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